Final Evaluation: Q2 - How effective is the combination of your main product with ancillary texts?

Having completed my music video, I then aimed to create my print productions with the generic aspects of my video in mind. It is of vital importance that there is an extent of continuity from the video when producing the print productions, as it needs to be made clear that one is directly linked to the other as to form a distinct and recognizable brand style; in our case Two-Tone Ska and Ska/Punk.

One way in which I established a link between all three productions was by using screen shots from my initial video footage to use in the panels of my digipak. In the music video the performers’ costumes are generic whilst they for example, performed the ‘Madness Walk’ and ‘skanked’ around various areas of the city to be used in our concept-based montage. In this footage the performers’ costumes are Dr Martens boots, braces and Fred Perry shirts (and Jack in his suite and trilby). I took a print screen of our video and saved it as a Jpeg file and then opened it with Adobe Photoshop to edit the original picture (using such effects as increased saturation and the text tool) to be used as the front panel for my digipak. I used this as I felt it to be wholly effective in both establishing the band members and the genre, as well as being a direct link to the music video itself. This enables potential fans to recognize the band’s motif, such as stated by Goodwin about bands establishing and then featuring their motifs in order for videos to be successful. The panel is colourful and eye-catching, and is instantly recognizable. This is one way in which my print productions are strongly linked to the music video. These two images show the initial image we took whilst on our initial shoot, and the completed digipak front panel, showing the progression from raw image to completed production through increased saturation, cropping, use of text tool and border. These changes have been effective in making the image more appealing to the audience by making it more eye-catching through the increased saturation, and more relevant to the two-tone aspect of ska by the use of the border, whilst continuing the reinforcement of the genre.

This idea of my target audience feeling a sense of familiarity can be heavily linked to Goodwin’s theory of recurring motifs. When an artist begins to create a brand style for themselves, a particular image that they either intentionally attempt to, or unintentionally achieve which is then more widely recognised and then associated with that artist. For example, throughout our music video, our actors are dressed in typical ska costume. This same costume is then used in our image on the front panel of my digipak with the aim of creating continuity. Because this same costume features so prominently, the audience begin to associate this type of costume with our band.

Gunther Kress, whose theory about genre is explained in more detail in the previous question. I have used a chequered border around the front panel of my digipak, as it is a generic convention of the two-tone ska genre. Because this will be instantly familiar with audiences whose preferences include this sub-genre, they will conform in the product with the aim of feeling a sense of inclusion in the two-tone ska following. This is my reasoning behind including the border on my front panel, and emphasises the coherence of my digipak.

The inspiration for my second panel was taken from the artwork of Blur’s album ‘The Best of Blur’ and I felt it a simple yet effective way of establishing the band members. I have taken a shot of each of the four acting members of the band and arranged them into quartered sections of the panel, much like with Blur’s album. I have then edited the ‘threshold’ of the image to make the actors’ faces appear black or white upon the contrasting background, as shown below. My reasoning for doing this can again be linked to Kress’ theory of genre and that audiences consume the media products intertextually. Because my target audience are highly likely to be fans of the two-tone sub genre, this photoshopping technique is likely to be appealing to them as contrasting black and white in very simple patterns connotes two-tone imagery. When fans see this design, connotations of two-tone will be instantly instigated and will be drawn towards it due to a will for social inclusion, linking to tribal identity. I also chose to make the actors look at each other across the various sections to add an element of humour. Although this is a different approach to that of the ska/punk element of our productions, our band is predominantly two-tone so this use of black on white is wholly appropriate whilst also intertextually referencing the slapstick comedy of such black and white films as those by Charlie Chaplin and Laurel and Hardy.

My third panel is a play on the whole idea of the protagonist of our video being seen as a money-grabber. A recurring image throughout our video is the use of monopoly money. This is to reference the economy at both the current time, and the era during which ska music was at it’s peak (80’s), and highlight the attitude towards it given by the ska/punk fans of that era (such as the characters from ‘This is England ’86’). I have centered the lead singer amongst a backdrop of monopoly money, on which I have used an effect to make it look as though it is spinning. This gives connotations of the money grabbing woman being in control as the image of her is steady and crisp, whereas in contrast her surroundings are a blurry motion to connote chaos. It is to present an ironic statement about capitalism. The bright colours are in-keeping with the comic element of ska music which has become generic of the genre since it’s popularity has grown. A similar theme to this has been used in the creation of my advertisement, which has used the same image to present the same idea about the money-grabbing female protagonist. This emphasises the continuity between my productions because of the visual link between them, and has helped towards creating a coherent promotional package which has an intentionally created brand style (being that of the multiple uses of monopoly money, presentation of the female protagonist, costume and uses of both bright saturated colours also with elements of black on white etc).

My final panel of the digipak is in-keeping with the urban style of the ska genre as it is an image that I have taken outside of a local shop, and have manipulated to insert track names from the E.P. to appear as graffiti on the wall. It is also keeping the continuity from the other products in the sense that it is heavily focused around the country’s financial situation, be that both from the era when ska was at it’s peak popularity, and the contemporary situation. The use of a news board, featuring a headline regarding ‘bankers’, is intended to promote the financial background of my productions by having a ‘dig’ at the bankers who instigated the financial crash in 2008. Throughout our music video the actors are shown in urban locations, and mixed in with the concept-based montage of monopoly money, relates heavily to this final back panel of my print productions, via both the urban and financial topics. Like in each of the other panels, and music video, I have manipulated the original image with effects to increase both the saturation and contrast to make it appear more bold and thus developed the ironic zany style.